PSR Tech Hub Establishes Global Delivery Center at Cyber Gateway, IT Park of Hyderabad, Telangana State, India
- Technology
- April 5, 2024

Mumbai (Maharashtra) [India], January 12: The year barely stretches its legs before the internet does what it does best: speculate wildly, connect invisible dots, and declare emotional emergencies over people who have not said a word. As 2026 tiptoes in, Korean celebrity culture has once again found itself under a digital microscope—one polished by fandoms,
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Mumbai (Maharashtra) [India], January 12: Korean entertainment is entering 2026 the way a world champion walks into the ring — assured, decorated, and fully aware that expectations can be more lethal than competition. The global appetite for Korean dramas hasn’t cooled; if anything, it has become more demanding, more discerning, and far less forgiving. Audiences
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Mumbai (Maharashtra) [India], January 12: Raasra Entertainment is an Indian film production and distribution company. The company is slowly building its place in Bollywood and regional cinema. Over the years, the company has focused on stories that connect with everyday people, not just on big budgets. With experience in handling films across languages and markets, Raasra
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New Delhi [India], January 12: The song “Rathuni Rathuni” from the film Karikaada was released on 10 January at 5:10 PM across Kannada, Tamil, Telugu, Malayalam, and Hindi. The multilingual launch brings together creative contributors from multiple regional film industries. Carried by rhythm and movement, the song presents a musical moment shaped by voice, beat,
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Mumbai (Maharashtra) [India], January 10: By the time 2025 wrapped itself in a neat calendar bow, one thing became quietly undeniable: Korean culture was no longer “having a moment.” It had a system. There were no fireworks announcing this shift. No single viral performance crowned the year. Instead, Korea’s cultural presence unfolded the way real
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Mumbai (Maharashtra) [India], January 10: For years, people have been predicting an inevitable cooling-off period. The “peak K-wave.” The moment when Korean content would politely bow, smile for the cameras, and retreat back into niche fandoms. And yet, week after week, streaming charts tell a far less dramatic story. Korean shows are not spiking. They’re
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